RED Digital Cinema has officially released its third industry-changing camera, the Scarlet-X. With burst modes up to 12 fps at full 5K resolution alongside 4K motion capture from 1-30 fps, the camera allows professional photographers and cinematographers to simultaneously capture motion footage and still content. Never miss a shot. Ever. Scarlet-X’s compact design, endless modularity and advanced feature set provide a future-proof solution catering to every shooter’s needs, leaving one-dimensional DSLRs and 1080p camcorders in its wake. Priced at under $10,000, Scarlet-X advances RED’s vision to democratize superlative cinema and professional photography.
With 4000 to 5000 lines of resolution it has 16 to 25 times the resolution of high definition. It has superior resolution to $200,000 35mm analog film cameras. Red Cameras other digital cameras have already been replacing 35 mm analog film cameras.
With the innate ability to capture 5K REDCODE RAW stills and true 4K motion footage, Scarlet-X produces visually lossless files that can easily be graded and finished. Combining all of the finest qualities of cinema and photography into one camera, Scarlet-X allows the customer to have the best of both worlds. Compromise nothing. Shoot everything.
Since delivering their first camera – the RED ONE – in 2007, RED Digital Cinema has jumped ahead of the pack over camera companies that had dominated the market for decades. Feature films shot with RED cameras such as the Academy Award-winning movie “The Social Network” and the more recent “Contagion” have contributed to a lineage of cinematic success. Since the 2011 introduction of DSMC (Digital Still & Motion Camera) technology, photography icons like Bruce Weber, Greg Williams and Inez + Vinoodh have used RED cameras to shoot covers and spreads for the some of the most influential fashion magazines in the world.
The first major theatrical releases to be shot on the Epic will be the upcoming The Amazing Spider-Man, Bryan Singer’s Jack the Giant Killer, Ridley Scott’s Prometheus, Peter Jackson’s The Hobbit, James Cameron’s Avatar 2, David Fincher’s The Girl with the Dragon Tattoo, Måns Mårlind’s Underworld: Awakening, Paul W. S. Anderson’s Resident Evil: Retribution, Michael J. Bassett’s Silent Hill: Revelation 3D, and Ajith Kumar’s Billa 2.